Crossing the line but nobody cares
Take a look at the list below and ask yourself: Which of these publications allows publicists to write about their own bands (or write music editorial copy at all)? Which allows people in the employ of record labels (or the label owners themselves) to write for them? Which publications are actually cross-promotional devices for record label/marketing companies? Also ask yourself, which of these magazines allows label owners or publicists to submit year-end top-ten lists which are published? Also, ask yourself... should people currently working publicity be writing editorial copy of any kind, even unrelated to their clients? Just thinking about that kind of thing right now. Comments are welcome.
The Fader
Stop Smiling
Chicago Reader
Time Out Chicago
Black Book
Nylon
XLRBR
Urb
Spin
Rolling Stone
12.20.2005
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